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supported by 7 fans who also own “R.I.P Lady T (w/ Leigh)”
probably the most hardest instrumental album i have ever heard in my 25 years of existence
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supported by 6 fans who also own “R.I.P Lady T (w/ Leigh)”
I love the intensity of the track FATAL. It builds up and up to the final climax. The other tracks on the EP are also great though a bit more experimental, and less accessible, but give me an indication of the Debby Friday sound and (hopefully) future direction.
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supported by 5 fans who also own “R.I.P Lady T (w/ Leigh)”
the noise at the end of block is so powerful.
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The Dunedin-by-way-of-Oakland sound on this super cool post-punk release doesn’t skimp on hooks.
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Nitpick & Split
by Purpur Spytt
Charlotte Mermoud's sometimes wacky vocals blend with plenty of wiry bass and a slightly sinister punk vibe.
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Super catchy, rubber band post-punk that's well worth the 10 minutes it takes to listen.
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